That's a wrap for "Crisis of Conscience"! I hope you all enjoyed this little team-up more than Conscience Cat did. It was a lot of fun to put together!
Today is also the first installment of our new Q and A feature! I thought I'd kick things off with a few similarly-themed questions about the technical side of things, and save some of your questions about the comic's story and characters for next week. After all, a whole new volume of Sam and Fuzzy starts on Monday, and I wouldn't want to accidentally spoil any of it!
"What percentage of the comic is done on paper and what percentage is
A lot of my friends have long since switched over to tablets and cintiqs, but I still do pretty much all of my drawing on dead trees with pencils and pens. It's just how I roll! Prehistorically.
That said, even a Luddite like myself can't resist using the computer for certain otherwise-tedious tasks, like drawing panel borders, filling in large black spaces, or adding dialogue lettering and speech balloons. I also occasionally use the computer to invert certain parts of the line-work, so that the lines become white-on-black instead of black-on-white -- the white lines on the ground in the second-to-last panel of today's comic are one example of this.
And yes... every once in awhile, I use the computer to fix mistakes, or to duplicate any visual elements that need to be repeated exactly in multiple panels. I am only human!
A typical page of Sam and Fuzzy art looks like this before I have at it with a computer.
"What kinds of pens and pencils you use for the comic?" -Alyssa
I pencil my art with pretty much whatever happens to be lying around, and ink it entirely with a Staedtler MARS Graphic 3000 brush pen. Once upon a time I also used micron tech pens for finer details, but these days I'm comfortable enough with a brush that it isn't really necessary.
"I'm somewhat a comic artist myself, and I had been wondering how you use the brush pens, and get the nice line you always seem to get. Whenever I try to, it's always so disgusting and horrible looking!" -Aaron
Keeping control of line weight when you're using a brush is really hard! It requires a degree of finesse that can only really be acquired through practice and years of muscle memory. I'm a living example of that. Let's take a moment to look back at the first Sam and Fuzzy strip I ever inked with a brush. Great. Now let's never look at it again.
Practice aside, it also helps to try out a few different kinds of brushes to see what you're comfortable with, because each one has its own feel. With the Staedtlers I use, the "brush" is actually a piece of shaped rubber that is a lot firmer and more stubborn than most other brush pens. (Or actual brushes!) As a result, you don't have to be as dainty with it -- you can use it a lot more forcefully than others without your lines getting too thick or too messy. But on the flip side, some artists might not like how hard you have to press with it to get a reasonably broad line.
"How many Q&A emails did you get in the first day?" -Luke
A billion. It's awesome!
If you've got your own question you'd like added to the pile, just email it to me with "Q & A" in the subject line. I'll keep picking a few to answer every week!